REDRAW TRAGEDY DIGITAL
In the practice of exhibiting, the showing and discussion of art is often limited to a single exhibition period. Not here!
Read moreIn the practice of exhibiting, the showing and discussion of art is often limited to a single exhibition period. Not here!
Read moreGena Paffendorf explains her thoughts on the diptych by Bruno Hadjih (in German, English will follow soon)
Read moreWIE-YI T. LAUW, ROBERTO URIBE CASTRO UND MICHAEL STOCKHAUSEN The artists Wie-yi T. Lauw and Roberto Uribe Castro talk with
Read moreThe high intensity and temporal compression enact the state of emergency, which demands concentration or reduction to the bare essentials. What does the state of emergency mean for research, education or art?
Read moreSUSANNE GRUBE: LANDCAPE AS PROJECTION AND EXPERIENCE SPACE When, in preparation for Redraw Tragedy, I asked those around me, “What
Read more“I knew that when we are confronted with a tragedy or a disaster, we all want to solve something with the power of art, we want to capture something as art, as artists.”
Read moreLuana Juliano talks with Natalia Wehler about Redraw Tragedy, her artistic work and the influence of momentous events.
Read moreLIVE FROM THE STUDY Pandemic. A foreign word on everyone’s lips. I wasn’t 18 when it first forced its way
Read morePictures that make you think. A contribution of the artist Gaby Kutz and the theologian Daniel Rossa.
Read morePANEL 30.01.2022 3 p.m. ART – POSITION – CATASTROPHY: PANEL DISCUSSION On Sunday, Jan. 30 at 3 p.m., a panel
Read moreDATES Sunday, Jan. 16, 11 a.m.-5 p.m.SOFT OPENING Sunday, Jan. 30, 3 p.m.Panel discussionART – LOCATION – CATASTROPHE Sunday, 6.2.
Read moreParticipatory art project by Roberto Uribe Castro
Read moreSOFT OPENING 16.01.2022 11-17 hs EXHIBITION REDRAW TRAGEDY: OPENING On 16.1. the exhibition REDRAW TRAGEDY opens at the Künstlerforum Bonn.
Read more… the decisive contribution to establishing trust, to arousing curiosity, comes precisely from art.
Read moreRIE TANJI: STATEMENT ON HER ARTIST WORK Rie Tanji comes from Fukushima. Although she did not experience the great quake,
Read more“Between an unnamed landscape irradiated, and a character irradiated by this unnamed landscape, there is a community of fate.”
Read moreOut of the ground, into the ground: Challenge Nuclear Heritage Grit Ruhland (Artist) and Robert Jacobs (Nuclear Historian) NUCLEAR HERITAGE:
Read moreHow catastrophe and artistic work are connected Statement by Gaby Kutz Gaby Kutz is an artist. Asking her after the
Read moreOut of the ground, into the ground: Grit Ruhland (artist) and Robert Jacobs (nuclear historian) in conversation with us at December 4th, 2021
Read moreWhy curate this themed exhibition now?
Read moreMichael Stockhausen about the terms crisis and catastrophe (in German).
Read moreA further surprise box.
Read moreThe first work has found its way to the Rhineland well protected.
Read moreGrit Ruhland’s thesis is exploring the consequences of uranium mining on the landscape around Gera / Ronneburg.
Read moreAbout the exhibition REDRAW TRAGEDY.
Read more