SHORT VISIT BRUNO HADJIH BY GENA PAFFENDORF
Gena Paffendorf explains her thoughts on the diptych by Bruno Hadjih (in German, English will follow soon)
Read moreGena Paffendorf explains her thoughts on the diptych by Bruno Hadjih (in German, English will follow soon)
Read moreWIE-YI T. LAUW, ROBERTO URIBE CASTRO UND MICHAEL STOCKHAUSEN The artists Wie-yi T. Lauw and Roberto Uribe Castro talk with
Read moreSUSANNE GRUBE: LANDCAPE AS PROJECTION AND EXPERIENCE SPACE When, in preparation for Redraw Tragedy, I asked those around me, “What
Read more“I knew that when we are confronted with a tragedy or a disaster, we all want to solve something with the power of art, we want to capture something as art, as artists.”
Read moreLuana Juliano talks with Natalia Wehler about Redraw Tragedy, her artistic work and the influence of momentous events.
Read moreLIVE FROM THE STUDY Pandemic. A foreign word on everyone’s lips. I wasn’t 18 when it first forced its way
Read more… the decisive contribution to establishing trust, to arousing curiosity, comes precisely from art.
Read moreRIE TANJI: STATEMENT ON HER ARTIST WORK Rie Tanji comes from Fukushima. Although she did not experience the great quake,
Read more“Between an unnamed landscape irradiated, and a character irradiated by this unnamed landscape, there is a community of fate.”
Read moreOut of the ground, into the ground: Challenge Nuclear Heritage Grit Ruhland (Artist) and Robert Jacobs (Nuclear Historian) NUCLEAR HERITAGE:
Read moreHow catastrophe and artistic work are connected Statement by Gaby Kutz Gaby Kutz is an artist. Asking her after the
Read moreWhy curate this themed exhibition now?
Read moreMichael Stockhausen about the terms crisis and catastrophe (in German).
Read moreGrit Ruhland’s thesis is exploring the consequences of uranium mining on the landscape around Gera / Ronneburg.
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